PST and will be open for seven days as a timed exclusive. Sales go live on Vice Press on Tuesday, June 21 at 6 p.m. Vice Press's The Thing screen print posters will cost you $90/£69.99 for the regular or $110/£79.99 for the foil edition. It's a testament to the enduring impact of this masterpiece-one with horror that can still frighten to this day and a story based on trust and suspicion of our fellow man that's more relevant than ever. One color is printed at a time, so several screens can be used to produce a multi. The ink passes through a stencil made from blocked out mesh, to reproduce a copy of one’s artwork. Fathom Events and Universal partnered earlier this year to get the film back into theaters and scare audiences all over again while NECA has a recreation of the Struzan's poster in figure form coming out. Screen printing is a technique that transfers ink through a mesh stencil, onto a substrate such as textiles, paper, wood, electronics, etc. Plenty of companies are showing some love for Carpenter's little body horror that could for its 40th anniversary. It's been around the world many, many times. Since then it's done more traveling than I have. At 9 am a guy shows up at my doorstep and says, "Is the painting ready?" I had about an hour to go, so I finished painting it and he took it away. She developed the film for me and I just started drawing, then painting through the rest of the day, then painting through the rest of the night. We stopped for a moment and I took some more photos with my wife, this time with a 35mm camera. We need it by tomorrow morning." I went to work. So I did the drawing and I faxed it back to the studio and they said, "Fine. This was 30 years ago, back in the stone age when the only way to communicating a hundred miles away was the telephone or the fax machine. I dressed up in a winter snow outfit and my wife took a Polaroid of me. I got an immediate concept, which is not unusual for me I usually have something roving around in my mind. It says exactly what needs to be said about the film without giving away the game-something strange is lurking around this icy outpost, and it's using human bodies as its disguise. Without showing the grotesque creatures that populate the film, it evokes a heavy sense of unease as viewers try to comprehend what exactly the thing is. While originally panned by critics, horror fans came to love the film and breathed life back into it thanks to home release sales, making it the cult classic that's so beloved today.Įven if you haven't seen The Thing, there's a good to fair chance you've seen Struzan's artwork for the film which shows someone dressed in winter fatigues standing in the middle of a snow storm with a glowing light emitting from where their head should be. MacReady, the film tells the tale of a group of researchers at a remote base in the Antarctic Circle who find something in the ice that uses its victim's likeness to infiltrate the group and assimilate more bodies. With a cast headlined by Kurt Russell as R.J. The Thing is a gory, grotesque remake of The Thing From Another World that is known as much for its terrifying body horror as it is for its paranoia-inducing story. In the International Feature Film Competition, the Special Jury Award was bestowed upon Valeria Is Getting Married by Michal Vinik, Polish helmer Damian Kocur scooped the Best Director Award for Bread and Salt , Marina Foïs received the Best Actress Award for her turn in The Beasts, and the Best Actor Award went to Pejman Jamshidi for his role in Dustland. Emin Alper also went home with the Turkish Film Directors’ Association (FİLM-YÖN) Best Director Award, while the film also received this year’s Turkish Film Critics’ Association (SİYAD) Best Film Award. Özcan Vardar and Eytan İpeker won the accolade for Best Editing, and the Cahide Sonku Award, given out in memory of trailblazing female director Cahide Sonku to raise the visibility of women working in the Turkish film industry, went to Çiğdem Mater, an associate producer of the film. The Best First Film Award was given to Snow and the Bear, directed by Selcen Ergun, which also won Best Actress for Merve Dizdar’s starring performance.įilm profile] by Emin Alper scooped nine awards, honoured with the Golden Orange for Best Director, Best Actor for Selahattin Paşalı and Best Supporting Actor for Erol Babaoğlu, while Christos Karamanis got the gong for Best Cinematographer and Stefan Will the Best Music Award. Furthermore, Belmin Söylemez’s sophomore feature, Mirror Mirror, received the Special Jury Award along with the Golden Orange for Best Supporting Actress, for Laçin Ceylan.
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